Marriage as a Poem Between Two Skeletons
there hang two photos each a
skeleton in profile x-ray arms reaching
for one another but failing
to touch blank white wall
stretching between their bony
fingers
and I think
every love poem I’ve ever read was
written in that space
filaments from body to body
meant to draw them
together
like the stitch and stitch and pull
that closes a seam
and I think, maybe that’s marriage: a poem to fill the wall between our outstretched
hands and a promise to pretend the wall is skin and the poem is skin and they join
the hands and the hands will stay that way—the text will not fade and the wall will not crumble
but the skin will in fact shrivel and
the skin will in fact shrink and
we’ll be left just
bones
with nowhere
left to hide the
selves we’ve hidden from
each and every
other
but I am holding your hand in my hand, still and
all around us things are crumbling and shrinking and
we are unhiding all our secrets in this rubble not
because we are collapsing too but because
nakedness is a rare and special kind of safety.

Krista Cox is a poet, teacher, and freelancer. Krista is Managing Editor of The Wardrobe and an Associate Poetry Editor at Stirring: A Literary Collection. She’s the Executive Director of Lit Literary Collective, and on the Board of Directors of the LGBTQ Center of South Bend, Indiana. Her poetry has appeared in Columbia Journal, Salt Hill, Rappahannock Review, and elsewhere. Krista is Doubleback Review’s Managing Editor.

