content warning for subtle references to child sexual assault
Girl coming into her own
Not that kind of running. I’m moving toward
two small girls: the quiet one is light—
her long hair, her yellow dress. The other one
cuts her down with a flat palm, & always
remembers his hands here & now & all over
her like a rash, so I am rash, shadow,
a second hand meeting the hour.
There are many ways to trap.
Better to unmuscle & move through
a field of wildflowers you cannot name.
*
Look at my blue dress.
I’m summer heat. Knives shine
for forgotten things—
the other one, she’s scared
of knives, how they scream
their throats raw. Stupid girl. I love
them: a jungle of birds
in my hand, chattering
to each other. Talking
pinwheel. Don’t touch her again—
I told you she was afraid—
Watch me dancing
I’m the blade that turns
I’m the edge that cuts.
Stars of scissors cough from all sides, their teeth caught in drywall, loose arms
swinging: not a wave, not a measurement, the step between steps. She’s here
shiny eyes flaring, gums almost showing. I like being around her then. Reminds me
I’m here.
I steal and pinch
and tattle. I push the pretty ones
into the wood chips. My bruises
badge and shimmer. When thunder
shakes my bedroom windows
I bite my lips till they bleed.
Sometimes she is strong with me to protect. My body is a bruised plum in her
basket. The world storms around me—turning, sparking, flashes of blue, a wedge
of silver, then more blue and more—me cornered and watching: unblinking eye,
my mouth messaging.
You want to say rose?
No soft and sweet.
Red clamoring mad at all
that sky and surfacing.
Since no one sees me I hum everywhere. It feels good to have my mouth full of
predictable song. The world around me cannot harm or alter, it cannot refrain from
listening, retreating slack jawed, astounded at the music my throat gargles. When
she turns toward the melody I am always caught off guard. This bit of beauty is
what gets noticed. It has nothing to do with me.
*
I only did what I was
told, as girls do too often. Finally
the panic of moving—an awful new.
Both hands reaching: how to see a smile
in place of a sneer? how to see an embrace?

Melanie Figg is the author of the award-winning poetry collection, Trace, named one of the seven Best Indie Poetry Books of the year by Kirkus Reviews. She’s won many grants and awards for her writing, including a Fellowship with the National Endowment for the Arts. Her poems and essays have appeared in dozens of journals including Hippocampus, RUMPUS, Colorado Review, Nimrod, and others. A certified professional coach with an MFA, Melanie works remotely with writers. Online at www.melaniefigg.net.