Father John Misty Describes the End of the World
I remember swelling the cymbals, watching people get more & more agitated by the spirit. The chapel was filling up with young Hollywood hipsters speaking in tongues. Baptism by fire, God was going to fall on America. When the day came, I was a kid, like fourteen, swooning through bangers & ghouls, abusing GarageBand for fame & profit, playing a party with no one paying attention, Neil Young acolytes in ponchos & heavy sweaters drinking tequila & puking hearts of gold, because this is the way we wanted it to be. No, when the day came, I was twenty-two, some kind of blueblood, a leaky rowboat, how unhappy I was at drowning. I was beat down, walking up & down Bourbon Street looking for the best rock stars of my generation, but all I was able to find was a skeleton pissing into a dumpster fire, Mother Earth wearing Beats by Dre & trying to drown out the pain. It was kind of poetic & I found myself thinking, I didn’t used to cry so much. I’m despicable as a result, I get it. I should just be by myself, writing a novel because it’s never been done before. No, when the day comes, I’m thirtysomething, hanging out in the smoldering dust of Coachella & playing twelve-dimensional chess with a grieving ventriloquist whose dummy just died. He keeps repeating the same thing over & over again: “My God, these children.” While I’m thinking about that, the ventriloquist kills my queen. There’s blood on his hands. Oh, my country, my country! I always thought that it was going to look way more sophisticated than this when evil happened, but here I am anyway, killing time before a meteor hits this place & our limbs become untrue & we sink like trees or unsaid words in dictionary mud.
Inspired by Nick Paumgarten’s profile of Father John Misty in the June 26, 2017 issue of The New Yorker
Justin Karcher is a Best of the Net- and Pushcart-nominated poet and playwright born and raised in Buffalo, NY. He is the author of several books, including Tailgating at the Gates of Hell (Ghost City Press, 2015). Recent playwriting credits include The Birth of Santa (American Repertory Theater of WNY) and “The Trick Is to Spill Your Guts Faster Than the Snow Falls” (Alleyway Theatre).