Semi-Precious
Mrs. Feldspar prayed for a girl the only way she knew: with her pocketbook. Carefully stenciling bows on the nursery wall connecting a long ribbon with space for baby’s name once she and Mr. Feldspar chose between Muriel and Emmeline. For her shower, we made an enemy of boyish hue, eschewing sailors and fish hooks. Gifts disgorged a framed lamb, a cotton-skinned doll dressed in a long poplin over a delicate frame. We stamped her cards with crimped rose for blessings Deep and Divine. Imagine our surprise when they shuttered up the view. Pink bassinet on the curb, forsook. We peeked at Mrs. Feldspar, her face a long fall from a high place, blame stitched into every coverlet, froze between hem and hairline. Mr. Feldspar took to the babe as a boat takes on blue: with a sick lurch and queasy foot. Only a matter of time til they go under, the pall of his boyish shame massing over the family like shadows neither Pink nor Tourmaline.
Julian Mithra hovers between genders and genres, border-mongering and -mongreling. Winner of the 2023 Alcove Chapbook Prize, Promiscuous Ruin (WTAW, 2023) twists through labyrinthine deer stalks in the imperiled wilderness of inhibited desire. Unearthingly (KERNPUNKT, 2022) excavates forgotten spaces. Read recent work in Paperbark, Heavy Feather Review and newsinews.