Binghamton
April 3, 2009 It’s not hard to remember her through the television snapshots—the congressional church on Main looking out along the strip of chicken joints and the red brick high school. Everything needing a good scrub from the salty winters, industrial closings, her sad desire to be reborn. A thousand miles away, and everyone’s saying her name like I never left, like she is sitting on my porch again, fingering the mimosa she killed in its clay pot. I can almost touch her even here, in this Southern city, where the bushes turn twenty shades of pink in February and the deafening grey of the rainy season is but a bluster of winter and then the pirouetting spring. It’s as blue today in Mississippi as it was that September in New York when the great beasts of those buildings skinned themselves to ash. I stared out my window that day too, looking at her in the backyard, the thistle crinkling violet on the green. A cat rolled and rolled in my garden, turned up its newly brown body and hopped the fence. That’s most of what I remember of that day, and I look at my own cats now, chasing each other in and out of my car’s tires and wonder if this is how I’ll see her now— the vested police with their long guns, a blockade of lights and firearms. My one loved city reduced to headlines, her proximity from New York. And me so useless and distant, wanting nothing but a home to cradle her in.
Erin Elizabeth Smith is the Executive Director for Sundress Publications and the Sundress Academy for the Arts. She is the author of three full-length collections of poetry, most recently DOWN (SFASU 2020), and her work has appeared in Guernica, Ecotone, Crab Orchard, and Mid-American, among others. Smith is a Distinguished Lecturer in the English Department at the University of Tennessee in Knoxville and the Poet Laureate of Oak Ridge, TN.