Marriage as a Poem Between Two Skeletons
there hang two photos each a skeleton in profile x-ray arms reaching for one another but failing to touch blank white wall stretching between their bony fingers and I think every love poem I’ve ever read was written in that space filaments from body to body meant to draw them together like the stitch and stitch and pull that closes a seam and I think, maybe that’s marriage: a poem to fill the wall between our outstretched hands and a promise to pretend the wall is skin and the poem is skin and they join the hands and the hands will stay that way—the text will not fade and the wall will not crumble but the skin will in fact shrivel and the skin will in fact shrink and we’ll be left just bones with nowhere left to hide the selves we’ve hidden from each and every other but I am holding your hand in my hand, still and all around us things are crumbling and shrinking and we are unhiding all our secrets in this rubble not because we are collapsing too but because nakedness is a rare and special kind of safety.
Krista Cox is a poet, teacher, and freelancer. Krista is Managing Editor of The Wardrobe and an Associate Poetry Editor at Stirring: A Literary Collection. She’s the Executive Director of Lit Literary Collective, and on the Board of Directors of the LGBTQ Center of South Bend, Indiana. Her poetry has appeared in Columbia Journal, Salt Hill, Rappahannock Review, and elsewhere. Krista is Doubleback Review’s Managing Editor.