sea legs and empty hands
(content warning for alcohol abuse)
a man walks into a bar. people laugh at dependency like it’s in on the joke. isn’t it? aren’t we. I am the laugh lines of my father above pools of whiskey-tinted blood, wars waged for decades against drinks that drowned fists. we’re all tired in one way or another. I’m exhausted drool on my chin from nights spent by the TV trying to drown out the noise. family trees hover and haunt like hangovers, gin halos buzzing behind the glow of sins I committed before last call. before the last call we got from him, the last call about him. the bottle by the bed, his body and the floor one woven masterpiece. a decimal and a hat trick for a BAC. two daughters. two daughters I remember relatives who carried their sickness the way I carry memories the way they ran from theirs I want to help. I want to turn from everything they are. everything I am. my aunt’s ribs, her bloated stomach moving with a heavy life shallowed. things I didn’t see because peace wasn’t a hand I was willing to shake. maybe clichés are really clutches, bad jokes just lies we tell ourselves to remember what it feels like to laugh. I keep running back to them and other things: nights spent on the other side of the door, forehead pressed to the wood kissing your palm. fingers clawing at any part of you that will keep me afloat. I’ve built boats from the wreckage. I’m split driftwood on shorelines. there are holes in me everywhere a man walks into a bar—all sea legs, all empty hands. in my head, he walks back out.
Cate LeBrun is a writer and special education teacher from Pasco, Washington. Her work has been published in The Rising Phoenix Review and the former Words Dance Magazine. She lives in Austria with her husband and son.