Stray Bullet in Dry Season
(content warning for gun violence and gore)
When the howling started, no one questioned it. How it echoed across ravaged fields, cut through pine and oak, sat at our door and hummed against the windows— We had all been praying for rain, for the crops to somehow unfold themselves from the cracked clay. Desperate cries, familiar: the animals and the plants too, everything pleading for the sky to open. When my sister and I became afraid of the sound, we were told it was coyotes, but everyone knew the woman down the road had locked her dogs in the barn for weeks. Knew the howling only stopped in the early part of the morning as if the sun slipping through old wood gave the dogs hope someone was coming. We didn’t know the woman was dead. Rotting in her kitchen, blood and brain spreading across the linoleum, filling in the cracks of her uneven floor. Clicked by a firing pin miles away, a bullet missed its target, found its way through her open window, her skull—no broken glass or scream, so magnolia leaves drifted in and haloed her crumpled body, clung to the dish soap crusted on her hands— she was like a painting, something about how life switches off without warning, or how trees that fall with no one around still thunder and quake, or maybe, something about the kitchen sink and how it never stopped running and the dogs, still howling.
Emilee Kinney hails from the small farm-town of Kenockee, Michigan, near one of the Great Lakes: Lake Huron. She received her MFA in poetry at SIU Carbondale and is currently pursuing her PhD at the University of Southern Mississippi. Her work has been published in Passages North, West Trestle Review, Cider Press Review, SWWIM and elsewhere. www.emileekinneypoetry.com