Emily Rose Cole

Lent

In this season where sugar turns ash,
                                    Mama and I rise before school
            to buy fasnachts, buttery lumps
                                                of potato flour, from the best bakery in town.

I wear chapstick to trap sugar on my lips,
                                    to hide between my teeth this metaphor
            for everything I’ll lose in Lent,
                                                this promise: what I love can leave me.

I know no matter how many prayers I hurl
                                    into heaven, I can’t take back the kiss seared
            on Jesus’ brow, the bread of his bones.
                                                I can’t save Mama from mourning,

and so, as always, her love will wither like a bulb
                                    buried too close to winter, vanish as surely as hallelujahs
            from our mouths. No praise now, because Lent
                                                is the wrong season for joy.

I know better than to test her, but I do it
                                    anyway, holler hallelujah when the sky spits snow,
            wide flakes that’ll turn to rain that night.
                                                She grinds her teeth and doesn’t speak to me

until dinner: Jesus, she prays, make us sorry
                                    for our sins,
offer us the grace to repent. 
            We sing hymns until long after bedtime—
                                                let all mortal flesh keep silent,

ponder nothing earthly-minded—
                                    and I’m almost sorry.
            But the next day, soot-cross darkening my forehead,                                               
                                                I bless everything on the playground:

worms scooped from the sidewalk return alive
                                    to the soaked earth, hallelujah,
            only two girls murmur freak and point at me,
                                                hallelujah, when a ball whistles from a boy’s hand

it misses me, hallelujah,
                                    my teacher lets me stay inside for the rest of recess
            and I fill the empty chalkboard, the tail
                                                of each a like the tongue of a lily:

hallelujah, hallelujah, hallelujah.
                                   
These blessings, not for me, not for them,
            but for Mama: as if blessing something
                                                is the same as fixing it.

As if enough forbidden praise
                                    could drag Jesus back before he leaves us,
            leaves her alone and wanting what I can never
                                                give her, some other love than mine.


Emily Rose Cole is the author of a chapbook, Love & a Loaded Gun, from Minerva Rising Press. She has received awards from Jabberwock Review, Philadelphia Stories, and the Academy of American Poets. Her poetry has appeared or is forthcoming in Best New Poets 2018, Carve, and River Styx, among others. She holds an MFA from Southern Illinois University Carbondale and is a PhD candidate in Poetry and Disability Studies at the University of Cincinnati.